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#002 Spring's Message in Snow Coordinated Incense Sticks

#002 Spring's Message in Snow Coordinated Incense Sticks

Prix habituel $88.00 USD
Prix habituel $0.00 USD Prix promotionnel $88.00 USD
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Frais d'expédition calculés à l'étape de paiement.
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INGREDIENTS: STACKED INCENSE • SANDALWOOD • ALOESWOOD • CLOVE • CAMPHOR • MUSK • CEDAR CHARCOAL • HONEY


BENEFITS: CLEARING HEAT AND ELIMINATING TOXINS FROM THE BODY, NOURISHING THE BODY‘S YANG ENERGY AND REDUCING EXCESSIVE INTERNAL HEAT, STRENGHENING THE BODY’S VITAL ENERGY AND BALANCING THE FUNCTIONS OF THE DIGESTIVE SYSTEM, WARMING THE STOMACH AND RELIEVING COLD SENSATIONS IN THE BODY


PREMIUM CHINESE STYLE INCENSE

INVENTED BY SU SHI, THE POET OF SONG DYNASTY, WAITING FOR 7 YEARS - THE HEAVY SNOW. BY USING THE SNOW TAKEN FROM MEIHUA(PLUM BLOSSOM) AND MIXING WITH ALOESWOOD AND SANDAWOOD. THIS INCENSE ARE SENDING THE SIGNS OF WINTER AND SPRING. THE FRONT NOTE IS COOL PLUM FRAGRANCE, THE COLD PLUM IS DECORATED WITH SNOW, THE MIDDLE NOTE IS WARM AND SWEET BASED ON SANDALWOOD, AND THE END NOTE IS AS GREEN AS SPRING.


INCLUDES + DETAILS

ABOUT 20 X 8.27’’

HAND FINISHED AND PACKAGED IN CHINA

PACKAGED FOR PRESENTATION IN A GLASS TUBE

APPROX. 45 MINS BURN TIME PER STICK


GUIDE

  1. TAKE OUT THE INCENSE AND GENTLY PINCH IT DIAGONALLY WITH THE TIP FACING OUTWARD.
  2. BRING THE TIP OF THE INCENSE STICK CLOSE TO THE FLAME SOURCE AND IGNITE IT WITH THE BLUE FLAME’S INTERNAL COMBUSTION
  3. ONCE THE TIP OF THE INCENSE IS LIT, HOLD IT IN YOUR HAND AND GENTLY WAVE IT TO EXTINGUISH THE FLAME
  4. AFTER THE INCENSE IS LIT, DO NOT IMMEDIATELY SMELL THE FRAGRANCE. WAIT FOR 10 SECONDS BEFORE EXPERIENCING THE AROMA.
  5. PLACE INCENSE STICK IN AN APPROPRIATE BURNER AND HOLD IT ABOUT 20CM AWAY FROM YOUR NOSE. ENJOY


SHIPPING

FREE STANDARD SHIPPING ON ALL USA ORDERS OVER USD$99

ALL ORDERS SHIP DIRECTLY FROM CHINA

EXPRESS SHIPPING, INSURANCE AND GIFT NOTE OPTIONS AVAILABLE AT CHECKOUT.

PLEASE CONTACT US FOR SPECIAL SHIPPING REQUESTS.

Notice: Due to the transmutation in kiln, the pattern on each teaware will be slightly different. Therefore, every Jian zhan Tenmoku is unique and special, but it will be remained generally the same.

Afficher tous les détails

1. Clay selection. Jian Zhan's glaze and clay need to have a high iron content. Other kilns in the Song Dynasty tried to imitate Jian Zhan. Still, they usually could not succeed for the minerals in their geographic location could hardly meet the standards of making a Jian Zhan.
2. Crushing. Place the prepared clay and glaze in a machine for pulverization
3. Washing and sieve. The thickness of the clay or glaze should be moderate. After sieving, the clay needs to be put into the slurry tank, while the glaze needs to be placed in the glaze pool.
4. Chen Fu, which is a ceramic terminology, refers to placing the clay in a room away from sunlight and air, keeping a certain temperature and humidity, and storing it for a while.
5. Knead the clay. This process is aimed to further remove the air and impurities in the clay, make the mud dense, uniform humidity, and facilitate forming, meanwhile, it also prevents the clay from drying and cracking during post-production.
6. Shaping, is usually divided into hand shaping and machine shaping.
7. Modification. The traditional shape of Jian Zhan is mainly a shallow circle foot, and the base part and the “inner ring ” of the foot need to be modified by a knife.
8. Kiln the unglazed Jian Zhan. This process can increase the mechanical strength of the clay, and also remove a part of the cracked and fragile Jian Zhan in advance.
9. Blend glaze. The glaze formula of the ancient method is to use natural iron ore glaze and plant ash. These two simple substances can compose a beautiful glaze, which looks incredible, but the craft of making Jian Zhan is to use the simplest materials to create the most mysterious crystals.
10. Glazed. One of the big features of Jian Zhan's crafting is the half-glazed. Ancient people would specially design a glaze line to facilitate the control of the glaze range. Glazing also needs very skillful technique, ensure the glaze is moderate. If thin, the room for the growth of the crystal is too small to produce delicate works; if too thick, the glaze may easily stick to the bottom.
11. Put into the kiln. There is usually a need to place a layer of alumina powder on the bottom to avoid sticking.
12. Kiln and fire the Jian Zhan. The kiln is the most important process of making Jian Zhan. If the time, degree, and frequency of reduction are not well mastered, the desired glaze color will not be successfully created. After being put into the kiln, the master must concentrate on controlling the degree of reduction and not leave it for a long time.
13. Finishing kiln. After the kiln, due to various restrictions on the making process, each kiln will inevitably produce defective products, which must be disposed of on-site. Products that pass the quality inspection can be sold.

About BinBen Culture

At Binben Culture, we preserve the centuries-old legacy of Chinese ceramic mastery, blending time-honored techniques with modern design to create exquisite porcelain that elevates everyday life with artistry, quality, and cultural essence.